Post by oldguy on Oct 13, 2017 2:27:00 GMT
So I see EAR as a malignant narcissist (among other things). I have no background in English Lit or poetry or anything similar. My degrees are in history and clinical social work with additional heavy study in clinical psychology. With apologies to CityofChill and others and with the awareness that I have not had an original thought in my life-I offer the following....
“Excitement’s Crave”
"All those mortal's surviving birth
Upon facing maturity,
Take inventory of their worth
To prevailing society.
The first word of the title is singular possessive because his identity is Excitement…a great seeker of excitement, if you will, the God of Excitement. And he is going to describe this status.
In the first stanza he "humbly" describes his audience… quite simply, all persons alive. These beings have an essential task –to take inventory of their talents and physical assets in order to discover a role, or niche in “prevailing” society.
By prevailing society, he means the mass of dull normals. (Hereinafter referred to as “DNs” for the sake of brevity.)
"Choosing values becomes a task;
Oneself must seek satisfaction.
The selected route will unmask.
Character when plans take action
He opens the second stanza with a nod to the DNs-those pedestrian mortals saddled with a “task.” Then he introduces himself-described in a distant Olympian manner as “Oneself.” This unique self-this God of Excitement- must seek satisfaction. "Satisfaction" means the taking of any woman he chooses, in any manner he decides. And he has planned mightily regarding this. We DNs will comprehend this character only when his prodigious plans are enacted
"Accepting some work to perform.
At fixed pay, but promise for more,
Is a recognized social norm,
As is decorum, seeking lore."
In the third stanza he describes the dullness of the DNs. Those countless peasants, having done their utmost to choose have, with their limited ability, managed only to obtain fixed pay and middle class decorum. Fools that they are, they settled for making a home in "everyday lore"-that pedestrian body of tradition in the prevailing culture.
"Achieving while others lifting
Should be cause for deserving fame.
Leisure tempts excitement seeking,
What's right and expected seems tame."
In the first two lines of the fourth stanza he comes back, contrasting the achieving God of Excitement with the those doing the heavy lifting. He will not settle for "tame." And he notes almost petulantly that this God’s achievements should be cause for (deserving) fame. He is telling his readers, the unimaginative dolts, that they have an obligation to recognize Him-and his lofty state . In the last two lines of this stanza, he contrasts his coming of age in a state of leisure; a leisure that produced the higher aspiration of excitement, with their coming of age in a state of drudgery. EAR 's hands are not sullied by work. Only victims' blood.
Jessie James" has been seen by all,
And "Son of Sam" has an author.
Others now feel temptations call.
Sacramento should make an offer.
The fifth stanza simply describes this seeker of excitement as equal to the most notorious and infamous figures in both our country’s past and present. He is telling us his status is so profound… it is timeless.
(Oh God he is so grandiose.)
To make a movie of my life
That will pay for my planned exile.
Just now I'd like to add the wife
Of a Mafia lord to my file.
The sixth stanza suggests a manner and proportion of due recognition. Only that recognition sufficient to support him for life is adequate acknowledgement of his stature. To reinforce that stature he indicates, as a brief aside, that it would be amusing to humiliate the most powerful criminal organization in the United States prior to enjoying his just rewards. (And he takes his capability to do so AND WITHOUT RETRIBUTION for granted... of course!)
"Your East Area Rapist
And deserving pest.
See you in the press or on T.V."
In the last stanza EAR finally comes down from the Olympian heights and identifies himself; he must do this for the unimaginative cretins who will read his work. And he reminds them, in an era when “the news” meant 6 o’clock in the evening, that he will be in their face and thoughts every night.
*****************************************************************************************
This was a young man who was deeply shamed. Very likely the weak link in an otherwise achieving (and highly dysfunctional) family. That is not an excuse-many young men or are so shamed without going on to his hideous "career." But narcissistic grandiosity is frequently the result. In writing the above, I could imagine EAR at 13 or 14, standing alone at the edge of a creek just after sunset-covertly observing the seemingly happy "normals" through the unshaded back windows and sliding doors. He coveted their women, built his resentments, and formulated his plans. He would show them!
“Excitement’s Crave”
"All those mortal's surviving birth
Upon facing maturity,
Take inventory of their worth
To prevailing society.
The first word of the title is singular possessive because his identity is Excitement…a great seeker of excitement, if you will, the God of Excitement. And he is going to describe this status.
In the first stanza he "humbly" describes his audience… quite simply, all persons alive. These beings have an essential task –to take inventory of their talents and physical assets in order to discover a role, or niche in “prevailing” society.
By prevailing society, he means the mass of dull normals. (Hereinafter referred to as “DNs” for the sake of brevity.)
"Choosing values becomes a task;
Oneself must seek satisfaction.
The selected route will unmask.
Character when plans take action
He opens the second stanza with a nod to the DNs-those pedestrian mortals saddled with a “task.” Then he introduces himself-described in a distant Olympian manner as “Oneself.” This unique self-this God of Excitement- must seek satisfaction. "Satisfaction" means the taking of any woman he chooses, in any manner he decides. And he has planned mightily regarding this. We DNs will comprehend this character only when his prodigious plans are enacted
"Accepting some work to perform.
At fixed pay, but promise for more,
Is a recognized social norm,
As is decorum, seeking lore."
In the third stanza he describes the dullness of the DNs. Those countless peasants, having done their utmost to choose have, with their limited ability, managed only to obtain fixed pay and middle class decorum. Fools that they are, they settled for making a home in "everyday lore"-that pedestrian body of tradition in the prevailing culture.
"Achieving while others lifting
Should be cause for deserving fame.
Leisure tempts excitement seeking,
What's right and expected seems tame."
In the first two lines of the fourth stanza he comes back, contrasting the achieving God of Excitement with the those doing the heavy lifting. He will not settle for "tame." And he notes almost petulantly that this God’s achievements should be cause for (deserving) fame. He is telling his readers, the unimaginative dolts, that they have an obligation to recognize Him-and his lofty state . In the last two lines of this stanza, he contrasts his coming of age in a state of leisure; a leisure that produced the higher aspiration of excitement, with their coming of age in a state of drudgery. EAR 's hands are not sullied by work. Only victims' blood.
Jessie James" has been seen by all,
And "Son of Sam" has an author.
Others now feel temptations call.
Sacramento should make an offer.
The fifth stanza simply describes this seeker of excitement as equal to the most notorious and infamous figures in both our country’s past and present. He is telling us his status is so profound… it is timeless.
(Oh God he is so grandiose.)
To make a movie of my life
That will pay for my planned exile.
Just now I'd like to add the wife
Of a Mafia lord to my file.
The sixth stanza suggests a manner and proportion of due recognition. Only that recognition sufficient to support him for life is adequate acknowledgement of his stature. To reinforce that stature he indicates, as a brief aside, that it would be amusing to humiliate the most powerful criminal organization in the United States prior to enjoying his just rewards. (And he takes his capability to do so AND WITHOUT RETRIBUTION for granted... of course!)
"Your East Area Rapist
And deserving pest.
See you in the press or on T.V."
In the last stanza EAR finally comes down from the Olympian heights and identifies himself; he must do this for the unimaginative cretins who will read his work. And he reminds them, in an era when “the news” meant 6 o’clock in the evening, that he will be in their face and thoughts every night.
*****************************************************************************************
This was a young man who was deeply shamed. Very likely the weak link in an otherwise achieving (and highly dysfunctional) family. That is not an excuse-many young men or are so shamed without going on to his hideous "career." But narcissistic grandiosity is frequently the result. In writing the above, I could imagine EAR at 13 or 14, standing alone at the edge of a creek just after sunset-covertly observing the seemingly happy "normals" through the unshaded back windows and sliding doors. He coveted their women, built his resentments, and formulated his plans. He would show them!