Post by ger8nium on Apr 14, 2018 20:19:21 GMT
First, allow me to state that I have not read through all of the threads about the EC poem, so I apologize in advance if any of this is redundant. Below is just yet another take at deciphering some meaning in a very poorly written poem that EARONS may or may not have actually written himself. So there you go – my disclaimer. The notes at bottom about the odd references to Son of Sam, Jesse James, and the Mafia may be of more interest to most of you.
Thoughts on this interpretation? Or the notes at bottom (coincidence)?
Excitement's Crave
All those mortal's surviving birth
Upon facing maturity,
Take inventory of their worth
To prevailing society.
Humans are born, grow up, and once reaching adulthood are expected (or perhaps feel compelled) to prove their relevance to society.
Choosing values becomes a task;
Oneself must seek satisfaction.
The selected route will unmask
Character when plans take action
The ‘values’ choice is either to conform (satisfy society/others), or not conform (satisfy ourselves). Either way, our choice is revealed in our actions (i.e., how we live our lives.)
Accepting some work to perform
At fixed pay, but promise for more,
Is a recognized social norm,
As is decorum, seeking lore.
Most will choose to conform and fit into the appropriate (decorum) and traditional (lore) norms of society, believing that through hard work, there will be more reward/advancement/fulfillment to be gained (wealth, better job, family, whatever)
.
Achieving while others lifting
Should be cause for deserving fame.
Being a non-conformer among conformers is worthy of recognition.
Leisure tempts excitement seeking,
What's right and expected seems tame.
Leisure time (or unstructured time, free time, if you will) makes one restless, spurring thrill-seeking behavior. However, what society defines as “acceptable” to fulfill this need (hobbies, sports, entertainment, etc.) is too boring and banal to the poem's author.
"Jessie James" has been seen by all,
And "Son of Sam" has an author.
Jesse James, Son of Sam (and Mafia later in the poem) – examples of non-conformists types who garnered fame (what I’d prefer to call infamy).
Others now feel temptations call.
The author of this poem is not the only one following in their footsteps – there are many.
Sacramento should make an offer.
To make a movie of my life
That will pay for my planned exile.
Pay me for my story and I’ll go away – but he is being sarcastic and thumbing his nose at the fact no one knows who he is – it is not a serious idea. He may also be hinting, perhaps, that he doesn’t need the money anyway (he’s well-off or wealthy?).
Just now I'd like to add the wife
Of a Mafia lord to my file.
Mafia “lord” versus “boss” is interesting language. Seems like a strong attempt to get reader to focus on the "Mafia" reference instead of the real reveal, which is that he keeps a frickin' literal file of his offenses.
Your East Area Rapist
And deserving pest
See you in the press or on T.V.
Feels like a promise – I am here to stay. I will keep offending. And you can’t stop me.
NOTES:
Son of Sam, Jesse James and the Mafia seem meaningless in this poem, in my view. The author could have come across these in November/December of 1977 in TV, movies, media reports, and comics/magazines:
Son of Sam - This poem was delivered to the Sac Bee in mid-December 1977. Berkowitz/Son of Sam was apprehended four months earlier, in mid-August. The December 1977 edition of True Detective magazine (which I personally view as a type of porn, and which is currently being discussed on Reddit EARONS sub) featured a Son of Sam cover/theme.
If the author was into those magazines, then Son of Sam is fresh in his mind.
Mafia – Throughout the 1970s, Joe Bonnano’s crime family was very active in the greater Sacramento/SF area and on the FBI's Sacramento field office radar. Although I don't know if Mafia activities received much press coverage in 1977, Bonnano and his associates were brought down in 1979 by Lou Peters, a car dealer in Lodi, CA, who cooperated with the FBI field office starting around 1970. Bonnano and his associates were attempting to buy Valley dealerships to launder money.
Jesse James – In November 1977, Little House on the Prairie, Episode 408, entitled “The Aftermath” aired. It featured Jesse James and his brother Frank, who take Laura Ingalls’ sister Mary hostage.
Thoughts on this interpretation? Or the notes at bottom (coincidence)?
Excitement's Crave
All those mortal's surviving birth
Upon facing maturity,
Take inventory of their worth
To prevailing society.
Humans are born, grow up, and once reaching adulthood are expected (or perhaps feel compelled) to prove their relevance to society.
Choosing values becomes a task;
Oneself must seek satisfaction.
The selected route will unmask
Character when plans take action
The ‘values’ choice is either to conform (satisfy society/others), or not conform (satisfy ourselves). Either way, our choice is revealed in our actions (i.e., how we live our lives.)
Accepting some work to perform
At fixed pay, but promise for more,
Is a recognized social norm,
As is decorum, seeking lore.
Most will choose to conform and fit into the appropriate (decorum) and traditional (lore) norms of society, believing that through hard work, there will be more reward/advancement/fulfillment to be gained (wealth, better job, family, whatever)
.
Achieving while others lifting
Should be cause for deserving fame.
Being a non-conformer among conformers is worthy of recognition.
Leisure tempts excitement seeking,
What's right and expected seems tame.
Leisure time (or unstructured time, free time, if you will) makes one restless, spurring thrill-seeking behavior. However, what society defines as “acceptable” to fulfill this need (hobbies, sports, entertainment, etc.) is too boring and banal to the poem's author.
"Jessie James" has been seen by all,
And "Son of Sam" has an author.
Jesse James, Son of Sam (and Mafia later in the poem) – examples of non-conformists types who garnered fame (what I’d prefer to call infamy).
Others now feel temptations call.
The author of this poem is not the only one following in their footsteps – there are many.
Sacramento should make an offer.
To make a movie of my life
That will pay for my planned exile.
Pay me for my story and I’ll go away – but he is being sarcastic and thumbing his nose at the fact no one knows who he is – it is not a serious idea. He may also be hinting, perhaps, that he doesn’t need the money anyway (he’s well-off or wealthy?).
Just now I'd like to add the wife
Of a Mafia lord to my file.
Mafia “lord” versus “boss” is interesting language. Seems like a strong attempt to get reader to focus on the "Mafia" reference instead of the real reveal, which is that he keeps a frickin' literal file of his offenses.
Your East Area Rapist
And deserving pest
See you in the press or on T.V.
Feels like a promise – I am here to stay. I will keep offending. And you can’t stop me.
NOTES:
Son of Sam, Jesse James and the Mafia seem meaningless in this poem, in my view. The author could have come across these in November/December of 1977 in TV, movies, media reports, and comics/magazines:
Son of Sam - This poem was delivered to the Sac Bee in mid-December 1977. Berkowitz/Son of Sam was apprehended four months earlier, in mid-August. The December 1977 edition of True Detective magazine (which I personally view as a type of porn, and which is currently being discussed on Reddit EARONS sub) featured a Son of Sam cover/theme.
If the author was into those magazines, then Son of Sam is fresh in his mind.
Mafia – Throughout the 1970s, Joe Bonnano’s crime family was very active in the greater Sacramento/SF area and on the FBI's Sacramento field office radar. Although I don't know if Mafia activities received much press coverage in 1977, Bonnano and his associates were brought down in 1979 by Lou Peters, a car dealer in Lodi, CA, who cooperated with the FBI field office starting around 1970. Bonnano and his associates were attempting to buy Valley dealerships to launder money.
Jesse James – In November 1977, Little House on the Prairie, Episode 408, entitled “The Aftermath” aired. It featured Jesse James and his brother Frank, who take Laura Ingalls’ sister Mary hostage.